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Down For It

by Vorn

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1.
Nah Blues 03:31
I may as well throw in this job What’s the point in working anyway I need not eat nor pay the power bill Wine shall be my dinner from now on And I can shower in the brothel till I’ve fucked away my holiday pay I may as well throw in this job What’s the point in working anyway The devil will find work for me to do And anyway my hands are busy Wiping tears and snot and wrinkles on my face O I may as well throw in this town What would be the point in trying to stay The sun will rise and I'll be nowhere to be found Cos when you haven’t got a place to go It is impossible to lose your way
2.
Winter comes Winter closes the door Says you're not to go out any more Close your eyes, pull the heater up close and hide It's okay Like all things it will pass Though you half-seem to hope it will last Huddle down, sofa like a cocoon, and hide Slowly they will leave town Slowly they will lose touch And I will finally have this suburb to myself And I never thought I’d like it But it grows on you like a shell Making it just another thing that I can’t help Summer lies Gone before it has come Though you cling till your hands feel numb Let it go – it'll probably come again Slowly they will leave town Slowly they will lose touch And I will finally have this suburb to myself And I never thought I’d like it But it grows on you like a shell Making it just another thing that I can’t help It’s okay to like it It’s okay to want to I’m not saying that I did I’m not saying that I do
3.
You Are looking sick girl and I don’t mean under the weather I’ve never seen a figure make a baggy sweater look better You got them hi-cut jeans and the lo-self-esteem And you be running through my mind just like a selfish meme Yeah, I make geek jokes to get the freak vote And I know heaps of quotes from the Peep Show I’m a magnet For the maladjusted and mad Pelvic thrusting like a dad Dancing at a wedding I’m funky, and I don’t mean malodorous So don’t try and fight it Marsha cos it’s bigger than both of us You don’t have to hate yourself to sleep with me But it would probably help You don’t have to sleep with me to hate yourself You’re doing fine on your own Come back to mine We’ll peel off the faces that we put on To meet the faces that were put on to meet us I’m quoting Eliot in toilets?! I’m so far gone I don’t even know if that’s ironic All I know is if you want I can take my dick and try and fix your issues (of which you got more than The Listener) There isn’t a feasible reason to see it as one indivisible signal Of something it isn’t: it’s probably just The kind of mistake that we so often make But we never seem to learn You don’t have to hate yourself to sleep with me But it would probably help You don’t have to sleep with me to hate yourself You’re doing fine on your own Touch me… Unless you touch me, how will I know if I’m even real? Feel me… It’s been so long I think I forgot what it felt like to feel
4.
Formula 02:30
They found the formula For you Now the peaks and the troughs Are as smooth as a sine wave A flat line as bland As the smile on your face Now do you know what they’ve done to you? Do you? They have planed every one Of your sharp edges off Now you’re just the right shape To fit into this box It’s not an exact science But it’s not exactly art A gratuitous act of violence To the workings of the human heart It’s not an exact science But it’s not exactly art It begins with a weak defiance And it ends when the fighting starts
5.
Bogeyman 03:09
He lives under my bed He comes out after dusk He hovers over me And sends the chill down to my bones And every night I fight him with a toothpick And every night he wins And every night I wake in a puddle of sweat With his face burned into the back of my eyelids So don’t tell me there’s no such thing as ghosts
6.
I’m going down to Family Planning to get prophylactics To put on my penis if I have sex with a girl Cos at Family Planning they’ve got free prophylactics And it costs twelve bucks to buy them at New World The girl at Family Planning is very attractive And I’m trying not to think about having sex with her But it’s hard not to think about having sex when you’re buying prophylactics And now my face has gone so red it hurts What’s wrong with me? I’m thirty three! I’ve got every right to get condoms for free And no-one’s looking on judgementally I know this shit’s all in my head So why’s my face so fucking red? I force a grin feeling awkward in my skin Exit stage left, and run for the lift And as the doors slide closed on the scene of my defeat I think I’ll do it all again In a couple of weeks
7.
It’s time to dance and feel dirty It’s time to shake it in shame It’s time to boogie and feel bad about it It’s time to get down on yourself It’s time to shuffle and feel shifty It’s time to wiggle it and wish you weren’t It’s time to free your flow and feel like filth It’s time to dance and feel dirty I think she’s lookin’ at you lookin’ at her lookin’ at you lookin’ at her I wanna step to you baby But something is holding me back Maybe it’s just the way that my feet stick to the floor When I try to pick them up I wanna get on up baby But something is holding me down Maybe it’s just the force of inertia It could be worse yeah It could be worse I think she’s lookin’ at you lookin’ at her Jump up In the middle of the club Give it a little bit of a rub Just to get it sticking up So if you feel like givin’ me a hug You’re definitely gonna feel the love You’re gonna love my love bump Bump bits Literally pump it Babble to me dumb shit It’ll do me wonders Titillate me later back at mine Comin’ up like an elevator She turned to me and said: I want a boy who’ll make me feel easy I want a boy who acts kinda mean I want a boy who knows I’m an object I want a boy who’ll mostly ignore me
8.
You and me riding up the highway Smashing up a television Destroying an email We took the pain away We had all the safety equipment Smashing up a television Flying up the highway Somewhere off the road Under bright headlights Under deadly skies Smashing up a television We had a drink afterwards in the Silverstream pub Smashing up a television Life is always on the way Smashing up a television Life is always on the way
9.
La. La. La. La. La.
10.
I’m not here to fuck spiders And I’m not doing this for my health It’s not my time that you’re wasting You guys are only cheating yourselves So come on if you think you’re hard enough But you’d better be rock Cos when you’re underneath the table I’ll be using your curtains To wipe my shades Ever get the feeling you’ve been feeling for far too long? I know you heard me the first time Not saying something like that twice And this is neither the time nor the place For either one of us to play Mr Nice Guy So put that body where your mouth is Let’s take that talk for a walk Because I ain’t saving shit for no homeward trip It happens now if it happens at all Ever get the feeling you’ve been feeling for far too long? Take four fingers and curl them into your palm And lock them into place with a crooked thumb And you should wind up with something that looks a bit like this Congratulations! You’ve made your very own fist
11.
Well it’s true that we told you when you were sixteen That you should never be frightened to follow your dreams And it’s true that we told you when you were in school That you could do anything that you put your mind to But we always thought you’d put your mind to something useful And we always thought that you’d dream of something real So get out of that Pavement t-shirt you’ve been wearing Since you went to see them back in ’97 And get out of that second-hand record store That you failed your degree in philosophy for Cos the girls don’t like the boys Whose shirts don’t button up The girls don’t like the boys Who still live with their mums when they are thirty-one What’s so bad about selling your soul to the man When the alternative’s living in the back of a van? What on earth is the point of these Wednesday shows Where the indifferent folk wish you’d play something they know? And you’re probably not that good Cos if you were you’d know by now And there’s still time to get a life But it’s surely running out And the girls don’t like the boys Who can’t afford a car The girls don’t like the boys Who’d rather starve to death than hang up their guitar
12.
You don’t have to hate yourself to sleep with me But it would probably help I will pick you up Set you on those pretty feet again And when you’re all better You can find somebody better than me Mmm You don’t have to sleep with me to hate yourself You’re doing fine on your own But if you need a hand I guess I would be happy to oblige Stick with me And you’ll never go places Not a thing changes When you’re in stasis
13.

about

“In an alternative universe Frank Zappa would be the head of the music school, radio would refuse to play anything by someone who did a photoshoot before writing a song, and Vorn's bent pop would be as big and as popular as Crowded House’s.” – Graham Reid, www.elsewhere.co.nz

“One of my favourite albums of this year – and hopefully an introduction to a wider audience for one of our greatest songwriters currently on (or rather under and to the side of) the scene.” – Simon Sweetman, offthetracks.co.nz

credits

released July 23, 2011

Recorded at Ministry of Fisheries Studios and Les Caves du Vorn, May 2009 – Dec 2010

Vorn – fronting vocals, backing vocals, guitar, trumpetino, rockasaki, and electronic things
Declan Bailey – drums, percussion, supplier of expensive equipment, noises off
Simon Bayliss – bass, treble backing vocals
Thomas Liggett – electric vile inn, viler-er, backing vocals

Eloise Bayliss – sampled vocals on “So It’s Come To This”
Maya de Lacey – co-frontin’ vocals on “You Don’t Have To Hate Yourself To Sleep With Me (But It Helps) Part I”
The Southeastern Suburbs Sinfonietta (Kathryn Maloney and Asha Stewart, violins; Thomas Liggett, viola; Emily Bacon and Charley Davenport, cellos)

All songs by Vorn and band except “Smashing Up A Television” by Chris Wilson and Mark Davey

Album artwork by Anne Bilton

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Vorn Wellington, New Zealand

“Vorn Colgan has been New Zealand's best-kept musical secret for so long now that it seems almost a shame to spoil it.” – Simon Sweetman, offthetracks.co.nz

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